Showing posts with label design. Show all posts
Showing posts with label design. Show all posts

Thursday, May 10, 2012

Lesson in Color and Light with Farrow & Ball

DID YOU KNOW ...

... that the English paint company, Farrow & Ball, was founded by two chemists?

... that the Farrow & Ball paint palette is kept to a strict 132 color run? As new colors are developed, older colors are archived.

... that the names of Farrow & Ball paints are often derived from historic locations which inspired the colors?  For example, Ballroom Blue No. 24 finds its roots in the ballroom of the Bath Assembly Rooms in Somerset, England.

These were the lessons learned at last night's in-store color talk with Farrow & Ball's paint and wallpaper experts.  Couldn't join us?  Check out the photos below!  Have paint questions of your own?  Swing by the Farrow & Ball showroom (322 Columbus Avenue at 75th Street) -- their friendly and informed consultants can help you explore colors rich in history (and pigment!) for your own home.




Friends of LW! fill the F&B showroom.

Christine Klotz, F&B's Regional Tri-State Manager, shares with our group
the history of the company's paint development.


A view of cool colors offered by F&B, such as Folly Green No. 76 and Teresa's Green No. 236.


Samples of trough-dragged F&B wallpaper.

Wednesday, April 4, 2012

Join the Committee; Protect the Neighborhood!

The Tavern on the Green, in Central Park, soon to be restored
and modified with a glass pavilion.  An example of a recent preservation issue focused on
by our C of A Committee (learn more below!).

In landmarks preservation, designation is just the beginning!  Learn more about "on the ground" landmark stewardship and how YOU can participate in neighborhood preservation!

OPEN HOUSE: Get to know (and consider joining!)

the LW! Certificate of Appropriateness Committee
Wednesday, April 18, 2012 at 6 p.m.
Macaulay Honors College (35 West 67th Street)
Join us -- admission is FREE; wine and light snacks will be served 
CheeseSticks generously provided by John Wm. Macy's CheeseSticks  
Click here to RSVP or email us at landmarkwest@landmarkwest.org

Even the staunchest of preservationists knows that in vibrant communities, changes in the built environment are inevitable.  Landmarks are not frozen in time, and they depend on our constant stewardship for appropriate and sensitive maintenance and growth.

When owners of landmark buildings and sites wish to make changes, they need to apply to the Landmarks Preservation Commission (LPC) for what's called a Certificate of Appropriateness (C of A).  LW's C of A Committee is an all-volunteer group that works with building owners and their architects, contractors and consultants to advise on design and protect the integrity of our constantly evolving neighborhood.  We welcome our friends and neighbors, architects, designers, historians, attorneys, real estate professionals ... anyone and everyone excited to volunteer their skills and expertise to the stewardship of the Upper West Side.

JOIN US on April 18th, meet current Committee members and others in the community who share your interest in neighborhood preservation! 


240 Columbus Avenue (then Victor's Cafe) at the time of its inclusion
in the Upper West Side/Central Park West Historic District in 1990.
These meetings culminate in testimony -- directly inspired by the input from our Committee members -- before the LPC, the Public Design Commission, and other public agencies and forums.  We "win" some, we "lose" some, but we always succeed in raising awareness about the history of our West Side neighborhood.   

A recent preservation issue -- and success story! -- has been 240 Columbus Avenue (formerly Victor's Cafe), at West 71st Street.  Thanks to collaborative efforts with the family of Victor del Corral, founder of the pioneering West Side restaurant, Victor's Cafe, a noteworthy bas relief mural on the 71st Street facade was saved from demolition.  This important layer of West Side history -- when Columbus Avenue and 71st Street was a destination for Cuban expatriates in New York City -- can be experienced and appreciated by future generations.  A new restaurant, Cafe Tallulah, is expected to open this Summer.  Click here to read more about our C of A Committee's work on this project.

Another recent issue of our Committee has been the Tavern on the Green in Central Park (pictured at the top of this post).  As we testified before the LPC:

"With this transition, LANDMARK WEST! is pleased to see the building's restoration needs being addressed.  Over dozens of years, the footprint of the Tavern on the Green gradually increased to accommodate larger private parties and seat more guests. Slowly but surely, the historic Jacob Wrey Mould-designed core was swallowed up by expanded kitchen facilities to the West and South, along with additional dining areas encased in greenhouse-like glass on the South and, famously, to the East in the form of the Crystal Room. With the removal of these egregious additions, the Tavern on the Green can once again breathe. And, perhaps more importantly, the public can fully experience and appreciate its architectural beauty in the landscape."  Read more here.

The proposal was ultimately approved by the LPC and the Public Design Commission, and the glass box will soon rise in the U-shaped courtyard of the Tavern.  Click here to read more about our work on this project.

JOIN US on Wednesday, April 18th, at 6PM for our first ever C of A Open House! The C of A Open House will be an opportunity for friends and neighbors to learn more about design review process and its essential role at LANDMARK WEST!.

Wednesday, August 17, 2011

Landscape Architecture is "Designing Awesome"

Today via Twitter, LANDMARK WEST! learned about the American Society of Landscape Architects' (ASLA) pop-up signage project "Designed by a Landscape Architect".


Columbus Circle, NY. August 17, 2011.

The open, green spaces we enjoy--public plazas, college campuses, roof gardens, and more!--don't design themselves!  The pop-up signs, complete with QR codes to drive curious passersby to more info online, remind us of that.  LW's Cristiana and intern Kate G. scooted over to Columbus Circle this afternoon to check it out for themselves!

LW! has recently been at the front lines of advocating for the preservation and protection of a public concourse in Central Park, itself the product of thoughtful and successful landscape design: Cherry Hill.  As LW! and our preservation colleagues have testified before not one but two city agencies, Central Park--New York's first Scenic Landmark!--is all about layers! 

And the 1980s renovation and redesign of Cherry Hill by Gerald Allen (the paved concourse and fountain restoration) and Philip Winslow (the surrounding landscape) is a significant layer worthy of protection.  The 1980s is a momentous time in the life of Central Park as it was then that New York's urban oasis was rescued from its deleterious state and progressively restored to the urban green we know it to be today!


Kate G. uses her iPhone and the ASLA QR code to learn more.




LW! inspired someone else to check out the ASLA pop-up sign, too!


The northern edge of Columbus Circle.



Friday, August 5, 2011

Playtime in Central Park :: Friday Fun, Part I

Bethesda Terrace


From the formality of pony prancing c. 1930s (thanks again, Bruce S.!), we move on to the short-shorts and tall socks of the 1970s at Bethesda Terrace!

Featuring Bethesda Terrace today is serendipitous, as the site has been at the front of our minds while LW! prepares for Monday morning's Design Commission review of Cherry Hill.  The 1980s renovation of the Cherry Hill Concourse was directly influenced by the style of nearby Bethesda Terrace.  Read more about Cherry Hill in our May blog post, and stay tuned for updates post-Design Commission!

Visit Bethesda Terrace or one of the other great Central Park locales featured thus far in this blog photo series!  Snap a photo and submit it to see yourself on the blog, too.  Fame and fortune are sure to follow ...

Tuesday, August 2, 2011

Landmarks Commission Approves Substantial Expansion for West 83rd Street Row House and Rear Yard

UPDATE from the FIELD
As reported by Cristiana P.


Today at Public Meeting, the Landmarks Preservation Commission (LPC) swiftly approved a modified proposal for the row house at 51 West 83rd Street.

As reported on the LW! blog yesterday and by the press, this overwhelming proposal for (simultaneously!) a rooftop addition, a rear yard addition, and the excavation of the entire rear yard to accommodate an indoor-outdoor pool was roundly opposed by both LW!, a coalition of neighbors who came together to voice their concerns, and citywide organizations alarmed by what this could mean for low-density neighborhoods in all five boroughs.  Too much, we proclaimed in unison!


First reviewed by the LPC at Public Hearing on July 26, 2011, the Commissioners noted areas in which they'd like to see further modification (ie: the height of the rear yard addition, the possibility of truncating the rear yard excavation to allow for planting, etc.). Two quick weeks later, the application was back before the LPC with slight modifications; enough to receive an approval from the Commission. 
The changes:


Click on the image to view an enlarged "rough sketch" of the approved work.

(1) ORIGINAL PROPOSAL:
Three-story rear yard addition, topped with a terrace accessible via the fourth story.

MODIFIED and APPROVED PROPOSAL: Third floor downsized; no longer a fourth story terrace, now a third story terrace.



Click on the image to view an enlarged "rough sketch" of the approved work.

(2) ORIGINAL PROPOSAL:
Excavation of the entire rear yard. The easternmost side to accommodate the pool; the western portion to accommodate underground mechanicals.

MODIFIED and APPROVED PROPOSAL: No change to the pool side of the rear yard; excavation of eastern side of the rear yard reduced by 10 feet, to accommodate plantings.


Modest tweaks, these updates barely scratch the surface of the overall inappropriateness of the proposed additions.


This approval sets a clear, negative precedent for backyards not only on the Upper West Side but city-wide. The historic character of No. 51 will be irreversibly lost. The inappropriate, insensitive and contextually disconnected design approved to replace it may well become a benchmark against which the LPC evaluates other proposals in the future. A sort of "we've approved bigger, glassier before--at 51 West 83rd Street--so why not here?"

Landmark properties are dynamic resources and must respond to the city's evolving needs. But, as LW! testified before the Commission in July [link], change must be responsibly managed to preserve the character and livability of our historic neighborhoods. The community looks to the LPC to defend the best of New York, and it is unfortunate that the Commissioners did not realize the deep impact their discussion and approval will have on backyards going forward.

Tuesday, July 26, 2011

Inspiring Dreamers :: Youth education all year 'round!

Over the past few weeks, LW! has been working with the "I Have a Dream" Foundation (IHDF) at the De Hostos-Wise Community Center on West 93rd Street through Keeping the Past for the Future, our youth education program.

Through IHDF, the De Hostos-Wise Dreamers (14 and 15 year olds) all receive long-term support such as tutoring, extracurricular activities, summer programs, and tuition assistance for their college education. This summer, the teens have partnered with LW! to examine the immediate neighborhood around where they live and go to school. Embodying the roles of preservation architects and urban planners, the Dreamers started with a thorough survey of buildings on 93rd and 92nd Streets, looking at each building’s function, condition, materials, windows, alterations, etc.




With a new sense of the spaces and structures that they pass by every day, the students began to question, “What makes a great neighborhood?” They considered the places that they particularly love in their community--from the corner deli to the basketball courts--and wondered what else they need. What could they add to the neighborhood that would truly enhance it for its residents? Working in groups of three, the students created “idea boards” for their designs.


The first group created an inspired 3-D model of a multi-level shopping complex,
with brand-name stores, an adjoining hotel, and a public green space with sitting area.

The next group designed a community recreation center, with an indoor pool,
multiple basketball courts, and a food court on the main level.

The final group envisioned a “green” movie theatre, surrounded
by a park, with a café, and a community green roof.

Finally, to see architecture and urban planning in action, the Dreamers were invited to visit Perkins Eastman Architects near Union Square. Associate Tracy Maher introduced us to the work of the firm and gave us a great tour of the offices, including a peek into the model-making workshop! Architect Ayo Yusuf talked to us about how one would enter the field, and his experiences as an architect. Michael Imranyi showed us a 3-D computer rendering of a project in the Middle East and a physical model of a shopping complex in Long Island.  Proof positive that architect and urban planning knows no geographic boundaries!



Thanks so much to Marvin Cabrera at "I Have a Dream" Foundation for his help in coordinating this summer program as well as to Fran Rosenfeld, a member of the LW! Education Committee, for her support with the program and for coordinating our visit to Perkins Eastman.


Keeping the Past for the Future
is supported, in part, by public funds from New York City Council Member Gale Brewer via the NYC Department of Cultural Affairs and the NYC Department of Education.

Wednesday, July 20, 2011

Down at the Archives :: Interns team up for building research, share their findings

REPORT from the FIELD
Jointly reported by interns Kate and Ingrid

Kate writes ...

Design review: the definition of advocacy in action!

As we've blogged before, our Certificate of Appropriateness (C of A) design review committee analyzes all projects on the Upper West Side that go through the Landmark Preservation Commission (LPC) public hearing process. That is, projects seeking approval for modifications beyond the scope of the LPC's Rules such as a rooftop or rear yard addition, the restoration of a stoop, the replacement of windows, you name it! To take effective and informed action requires a lot of research! So here's a little insight as to how we prepare and research every project.

Both historical and contemporary research always inform conscientious landmark stewardship. For every project, we complete the following steps:
  1. Visit and document the current condition of the building
  2. Obtain historic tax photos
  3. Review the architectural plans for proposed modifications
The Municipal Archives are house in the Surrogate's Court building.
For historical research, the Municipal Archives (located just north of City Hall) is a treasure trove of information.

On July 15, 2011, I asked fellow intern Ingrid to join me as I ventured to the archives in search of historic tax photos. Historic tax photos are an important visual record of a building's original characteristics. Between 1939 and 1940, the city took a photograph of every single building in New York City's five boroughs and then repeated this process again in the 1980s. (For more information, click here.) For one item on our C of A agenda, I was particularly eager to see an historic image of the building, since we were trying to determine the original window configuration.

So, Ingrid and I ventured into the archives to see what we could find.

Tax photo research, Ingrid's take ...

Adventure outside the office- as I would call it.

Sample Sanborn tax map.
When Kate G. and I went down to the Municipal Archives it was my first time there- very exciting! The mosaics they have up on the ceiling in the lobby are amazing. Our mission was to get a picture from the 1940s of two certain buildings. On July 14th, we visited 163 West 87th Street and 327 Central Park West and took pictures of the way the buildings look now. As we took photographs, we discussed the way each building was back before the changes and the way the architect wants to change the building now. For example, at 327 Central Park West, they currently have one-over-one double hung windows, but originally in the 1940s the windows, as seen in the tax photo, were six-over-six double hung windows.


But back to the municipal archives... first, we had to use the Sanborn tax maps to confirm the block and lot of the buildings we were looking for- kind of hard because they had a lot of information on one building . Next, once we had the blocks and lot numbers we had to look inside the Manhattan photograph index book for the microfilm numbers, and once we had everything, we sat down at a microfilm scanner.


A microfilm reader, just like the
ones used for research at
the Municipal Archives.
I had seen many in movies, but never in my lifetime did I imagine I would get to use it and see the way it actually works. I can say my favorite part was learning and watching Kate try to explain how to use it- very funny!

Kate brings it all together ...

With our archival research, we were able to confirm that the original windows at 327 Central Park West were in fact six-over-six double hung windows. We will use this photo documentation to bolster our argument that any master plan for the building's windows should aim to return the building to the original fenestration planned by the architect.

Monday, July 11, 2011

Playful Design is Serious Fun in Central Park!


Summer Is Here In A Big Way,
So Get Out And Play! 
  
Recreation and play are serious art forms in Central Park! To help you plan your summer play, LANDMARK WEST! brings you a map paired with a few facts about the Central Park playgrounds! Learn about these creative play spaces - a full listing follows - but first, some of LW's favorites designed by renowned architect and lfUD fellow Richard Dattner (Follow Dattner Architects on Twitter!).  


HECKSCHER PLAYGROUND - #1 (Find it on the map below!)

The Heckscher Playground originally opened in 1926, and is named for its founder August Heckscher Sr., grandfather of August Heckscher III who served as Parks Commissioner under Mayor John V. Lindsay. The playground is both the largest (roughly 3 acres) and the oldest in Central Park, and is the only playground that is not located around the park's perimeter. Heckscher Playground is located at approximately 62nd Street at 7th Avenue, slightly west of the center of Central Park. The playground recently underwent a $6 million renovation/redesign and reopened to the public on May 12, 2006. It is located in one of the three locations originally designated for play in Frederick Law Olmsted and Calvert Vaux's initial 1858 Greensward Plan for Central Park. If you're a kickball fanatic, this the place you want to be!   


ADVENTURE PLAYGROUND - #3  

Opened in 1967 the Adventure Playground was built by Robert Moses after the famous dispute surrounding a plan to create more parking for the privately-owned Tavern on the Green restaurant in Central Park at West 67th Street (now a visitor's center). The was the first of the "adventure playgrounds" designed by Mr. Dattner for Central Park. Born out of the World War II era, the adventure playground philosophy is that children would create play areas out of found materials, or debris. For this reason, they were sometimes also known as "junk" playgrounds.  Adventure playgrounds (our preferred name) encourage children to create their own play environments using their imaginations by utilizing tools and movable objects.  When controversial renovation plans for the playground arose in the late 1990s, LANDMARK WEST!, Friends of the Adventure Playground, and other members of the neighborhood met with Dattner, ultimately resulting in proposals for  the redesign. As landscape architect and city planner Michael Gotkin wrote in his essay The Politics of Play, "The Central Park Adventure Playground was a pivotal work of landscape design and survives as perhaps the most important extant modern playground in America."
Landmark West! Interviews Richard Dattner
Landmark West! interviewed Richard Dattner. Click to view.

Watch LW's interview with Richard Dattner as he discusses the history of the Adventure Playground by clicking the image. 

Afterward, check out more of the great interviews that LANDMARK WEST! has done with prominent figures of New York City architecture. 

The Institute for Urban Design (@IfUD) tweeted a great way to learn why Dattner's early design work continues to spark discussion.   



EAST 72ND STREET PLAYGROUND - #5

This playground features tire swings, wooden climbing structures, sand, a stone slide, a water tower, and a net "spider web" for climbing. It is situated adjacent to the East Green. Generally a busy playground, the East 72nd Street Playground is an excellent playground for older children because of its many interactive play features. 


ANCIENT PLAYGROUND (aka - Ancient Play Garden) - #12 

Mr. Dattner designed this playground with the Egyptian art of the neighboring Metropolitan Museum of Art in mind. The spray shower in the park is analogous to the African nation's Nile River. Other references to ancient Egypt include obelisks that allude to Cleopatra's Needle, climbing pyramids that reflect the Temple of Dendur, a vast sand area representing the Egyptian landscape, and a sundial.  The Ancient Playground is located just to the north of the Museum, at 85th Street. The playground underwent a renovation in 2009, and as part of that effort the Osborn Gates by Paul Manship (built 1953, removed 1972 due to vandalism) were restored.


WILD WEST PLAYGROUND - #15

You guessed it! This almost-entirely-wood playground was designed to resemble a frontier town.  Featuring the key ingredients of children's play, a water "river" runs through it, allowing children to build sand castles and to cool off in the summer. The Wild West Playground is near Central Park's Tennis House (the focus of an LW! advocacy campaign) between 94th and 96th Street.

______________________________________________________________
 PlaygroundMap
POP QUIZ!  The Question... 

According to Robert Moses, why are nearly all of the playgrounds in Central park located near entrances, along the perimeter of the park? See the answer after the maps below!

______________________________________________________________
  
Let this map help you navigate your summer fun in the playgrounds of Central Park.  




And for a little extra enjoyment, see where the Central Park Playgrounds fall on a map of Central Park from 1875, long before the playgrounds existed as we know them today. Full listing, below.

Historic map of Central Park with Current Playgrounds marked out
Hinrichs' 1875 Guide Map of the Central Park with the modern parks marked out in red. Click to enlarge.
PlaygroundMapKey

 Playgrounds on the Map
  1. Heckscher Playground,  at 59th Street at 7th Avenue   
  2. Tots Playground,  at West 67th Street 
  3. Adventure Playground,  at West 67th Street  
  4. Billy Johnson Playground,  at East 66th Street 
  5. East 72nd Street Playground,  at East 72nd Street  
  6. James Michael Levin Playground,  at East 77th Street  
  7. Pat Hoffman Friedman - Three Bears Playground,  at East 80th Street 
  8. Diana Ross Playground,  at West 81st/82nd Street 
  9. Mariners' Playground,  at West 85th Street 
  10. Abraham and Joseph Spector Playground,  at West 86th Street 
  11. Arthur Ross Pinetum Playground,  at West 85th Street 
  12. Ancient Playground,  at East 85th Street 
  13. East 96th Street Playground,  at East 96th Street 
  14. Safari Playground,  at West 91st Street 
  15. Wild West Playground,  at West 93rd Street 
  16. Rudin Family Playground,  at West 96th Street 
  17. Tarr Family Playground,  at West 100th Street 
  18. Robert Bendheim Playground, at East 100th Street 
  19. Bernard Family Playground, at East 108th Street
  20. Lenox Avenue Playground, at 110th Street at Lenox Avenue
  21. West 110th Street Playground, at West 110th Street  


POP QUIZ - The Answer is...

"Located near the major entrances, [the playgrounds] intercept children on the way into the park and provide a place in which excess energy can be worked of without damage to the park surroundings."
-Robert Moses 


  iPhoneAppBEAT THE HEAT!  
Stay inside and still explore the
Upper West Side
One of the twin towers of the San Remo Apartments. 145-146 CPW. Built: 1929-1930. Architect: Emery Roth.
   

Download the
FREE LANDMARK WEST WALKING TOUR app and access photos and facts about historic neighborhood buildings, all from the comfort of your home. 
   
of the LANDMARK WEST! Walking Tour app
for iPhone/iPad/iPod Touch, today!

IMAGE AT LEFT:
The southern tower of the San Remo Apartments, as seen from Central Park.
145-146 Central Park West, between W. 74th St. and W. 75th St.
Built: 1929-1930.
Architect: Emery Roth.


Follow LANDMARK WEST on Twitter!Be LANDMARK WEST's friend on Facebook!View LANDMARK WEST's photo albums on FlickrView LANDMARK WEST's videos on YouTube!

Monday, February 28, 2011

Love Your Landmark #15 - Holy Trinity Lutheran Church


Holy Trinity Lutheran Church
51-53 Central Park West
The Holy Trinity Lutheran Church is a very good example of preservation and restoration in action. In my lifetime, I've seen it go from being absolutely filthy to being covered in scaffolding to emerging as this gem that is as close to its original state as possible. I admire the beautiful rusticated stonework, and I love the contrast of the bright, detailed stone with the slender steeple!

Love,

Max Yeston
Architectural Enthusiast

P.S. Want more information? Read about the Holy Trinity Lutheran Church and other great buildings on the LW! database here!

Wednesday, February 16, 2011

UPDATE from the FIELD :: One Up, One Down

UPDATE from the FIELD
As reported by Max Y.

The Landmarks Preservation Commission (LPC) reviewed not one but two proposals for modifications to buildings within the Upper West Side/Central Park West Historic District yesterday.

The La Rochelle, 329 Columbus Avenue.
The first item was an application from the Make Meaning store to install signage in their storefront at the La Rochelle, a Renaissance Revival-style apartment building designed by Lamb & Rich and built in 1895-98, at 329 Columbus Avenue.  Throughout the public review process, the Make Meaning company was very receptive to LW's suggestions to improve their initial signage concept, remarking at the public hearing that "LANDMARK WEST! had some fantastic ideas."  Why, thank you, Make Meaning!

The proposed signage--individual pin-mounted letters on a bar which bows or angles out, away from the facade--would be less conspicuous than the existing signage.  Further, the overall design would not detract from the La Rochelle's monumental aesthetics.  A straight band behind the back of the sign would protect the window's mullions and support the signage as it bows out (this to address concerns of the store's curbside visibility) ... all without damaging the building's facade.  Community Board 7 approved of the design, adding that the colossal banded columns should be a as visually present as possible.

As the commissioners moved to discussion of this proposal, one noted that, in the past, the LPC has approved individual letters mounted to a bar as long as the bar didn't damage the facade.  However, the Commission has rarely approved illuminated letters.  The sign's plastic material does not live up to the historic fabric of the area, the commissioner continued, and an appropriate material should be selected instead.  Several other commissioners chimed in deeming the sign as a whole to be: "too busy," "too big," "too plastic," and having "too many pegs" or "attachments."  In addition to expressing their thoughts on the individual sign, virtually all the commissioners felt a master plan for all the advertisements on the La Rochelle would make for a more consistent and aesthetically pleasing facade.

The Commission took no action on the proposal, directing the Make Meaning team to continue working with staff to address the concerns brought forth.  All in all, the project is "going in the right direction."  Right on!  To read LW's statement on this project, click here.

51 West 90th Street, as it appeared at
the time of designation (1990).

The second topic for debate was an application to alter the rear facade of 51 West 90th Street, a Renaissance Revival-style row house designed by Henry Andersen and built in 1893-94.  LANDMARK WEST! stated that rear facades of row houses are historically composed of mostly masonry walls, crisply punctured by windows.  Masonry, not glass and metal, should be the dominant feature on this row house's rear face.

In support of the design scheme, the applicant cited numerous examples of row houses whose windows had already been enlarged or extended within the same rear yard "doughnut".  It was argued that since the windows do not face the street--and, by extension, the public--the new facade would not detract from the neighborhood's character.  

In a quick and near unanimous decision, the commissioners agreed and approved the application, stating that as long as the enlarged windows were not visible to the public, it would not detract from the historic district.  What does this imply, LANDMARK WEST! is left to wonder, about the ways in which we value our historic architectural resources?  Are they merely stagesets to be preserved, front side-only?  Or, rather, aren't the row houses, apartment buildings, and other landmark structures that comprise our neighborhoods 360-degree structures to appreciated in full?  Tell us what you think!

You win some, you lose some!  LANDMARK WEST! continues to press on, through ups and downs.  Stay tuned!

Thursday, February 3, 2011

UPDATE from the FIELD: AC condensers on stilts toppled by LPC

UPDATE from the FIELD
As reported by Max Y.

At public hearing yesterday afternoon, an application to legalize conspicuous white-box AC units on the historic facade of 333 West End Avenue, a Venetian Gothic Revival apartment building designed by Emery Roth in 1925, was denied by a near unanimous vote from the Landmarks Preservation Commission (LPC).

As LANDMARK WEST! stated during the public hearing, this item's review was coming just weeks prior to the Commission's first of three public hearings to consider historic district extensions on West End Avenue.  "These imminent public hearings mean that it is more important than ever for the Commission to protect the integrity of its Rules and set a positive example for property owners in both existing historic districts and proposed historic district extensions."  To read our full statement, click here.

By denying this application for legalization (that's right, the condensers were installed without the required LPC permits), the Commission prevented what could have been a terrible detraction from the aesthetic appearance of West End's facades.  One commissioner pointed out that at least with conventional "through the window" AC units, they are inconspicuous and ubiquitous enough to fade into the background.  The same commissioner continued, saying the agency's job is to judge whether such a unit harms a district's historic aesthetic, and concluded that the proposed stark white units look markedly different and inappropriate.

Another commissioner remarked, "what a precedent this would be!"  Two others agreed, further speculating how the facade would appear if half the windows featured these units ... or all of them.  Where would it end?  Recalling a recent trip to China, one commissioner pointed out that freestanding units, similar to the ones proposed for legalization, were everywhere to be seen, totally disrupting the urban fabric.

The Commission also weighed in on the structural dangers involved, such as requiring exposed refrigerant pipes and electric wires to go through the window, and the precarious position of the platforms secured only with metal ties.  What if the condenser units became bulkier and heavier?  Residents of the West End Avenue Collegiate Historic District cannot afford to find out.

Knowing the regulations for what is acceptable for an historic district will be invaluable to the residents of the West End Avenue Study Area, especially as the series of three public hearings on proposed historic district expansions along West End Avenue approach. 

Stay tuned for further updates!

Tuesday, January 4, 2011

Design review committee heads to Landmarks Commission

For LANDMARK WEST!, the new year brings with it a new crop of proposals for work to landmark buildings on the Upper West Side.  That means a whole new calendar of Public Hearings before the Landmarks Preservation Commission (LPC).  

Today is the first hearing of the year!  We'll be heading down to testify on these three items, channeling our inner Lorax (we speak for the buildings, for the buildings have no tongues!):

11 West 74th Street, a Queen Anne-style row house with neo-Grec style elements, designed by architect Daniel Burgess and built in 1889-90.  On the boards: a proposal to install a handicap-access lift.  A challenging intervention addressed in an appropriate manner--read LW's statement here.  "Meet" this building on our Online Building Database!

333 West End Avenue, a neo-Venetian Gothic-style apartment building (they don't stylize 'em like that any more!) designed by Emery Roth and built in 1925.  The application is requesting to legalize air condensers which were installed without the permission of the LPC.  With expanded landmark protection on the horizon for more of West End Avenue, what happens with this item is very important.   Click here to read LW's statement and to see images of the illegal conditions (as photographed at LPC Public Review).

25 West 75th Street, a Renaissance Revival-style rowhouse, designed by George M. Walgrove and built in 1892-93.  A first step towards what we hope will be a more expansive restoration in the future.  Read our testimony and get to know this building on our Online Building Database.

Interested in the public review process?  Let our design review committee coordinator, Cristiana Pena, know via email: cristianapena@landmarkwest.org.  Or come down to the Landmarks Commission (hearings are open to the public!): http://www.nyc.gov/landmarks.

Stay tuned for a post-hearing report from the field!

Wednesday, October 13, 2010

UPDATE from the FIELD :: Boathouse bar review complete; design improved!


UPDATE from the FIELD
As reported by Mary N.

Following up on our October 1 blog post ...

This past Tuesday morning, the Landmarks Preservation Commission (LPC) met to review for the second time an application regarding the replacement of the existing bar and modification of the terrace at the Loeb Boathouse in Central Park.  This Public Meeting session (meaning no public testimony was permitted) comes after the September 28th Public Hearing review of this multi-part project.  For a refresher on LW's testimony from September, click here.

We are pleased to report that the proposal underwent changes since its first presentation to the LPC, and for the better!  The project architect, taking the Commission's suggestions to heart, introduced a darker color scheme and more wood to their design (previously, metal and glass reigned supreme).  Although the design itself was kept basically intact, darker, more natural-looking materials and colors were presented at this Public Meeting. 

One of the most troubling aspects of the project at the LPC's September 28th Public Hearing was the proposed raising of the existing decking.  As one of the Commissioners noted at that time, Frederick Law Olmsted was a "master of illusion", manipulating the landscape and structures in the park to create experiences that were not true to life.  Ie: making the Lake seem larger than it is by way of manipulating vistas, etc.  Raising the terrace would have brought the location out of balance with the overall illusion intended for a visitor to the Lake and Boathouse.  The project architect responded to this point by withdrawing that aspect of the proposal.  The decking will remain at its present height!

Overall, the Commission commended the new design, pointing out that the new color scheme made the bar read more as a pergola, not as a copy of the Boathouse or an extension of the Boathouse itself.  The Commission found the new proposal to be an improvement upon the original proposal and approval was granted.

LW! and its design review committee are thrilled to have been part of the community dialogue on this project.  We believe the proposal for the bar at the Loeb Boathouse has positively improved through the review process and will be eager to re-visit the bar upon the project's completion. 

For more on LW!'s position on this project, read our statement from the Sept. 28th Public Hearing.  For information on how you can participate in our design review committee, email us our committee coordinator, CristianaPena@landmarkwest.org.

Friday, October 1, 2010

UPDATE from the FIELD :: Downtown chic at Central Park's Loeb Boathouse? No, thank you.


UPDATE from the FIELD
As reported by Cristiana P.

Boat launch and outdoor bar at the Loeb Boathouse. 
Far left, white columns of the Boathouse; to the immediate
right, existing outdoor bar to be replaced.
Picture it: You're enjoying a beverage on the outdoor patio of the Loeb Boathouse in Central Park.  The calm reflection of the Lake; the soundless paddling of boats; the crisp rustling of leaves ... and a less-than-timid duck hops aboard the decking to join you for a brewskie.  The industry of the city couldn't be further from your mind.  That's Central Park living up to its character: rus in urbe.  That is, a bit of country rusticity in the heart of the urban city.

On Tuesday, a proposal was heard by the Landmarks Preservation Commission 
(LPC) at Public Hearing that would compromise the aesthetic of the Central 
Park landscape, and the selection of buildings located inside (ie: the Loeb Boathouse pavilion, where the proposal is sited).

LW!'s Certificate of Appropriateness (C of A) design review committee weighed in on this project.  The short of it: replace the existing bar with a new structure in glass and metal, relocate the bar closer to the Boathouse proper, swath it in a coat of bright-white paint ... and top it all off with an illuminated display podium for the liquor bottles.  Rustic, no?  And there's more: the proposal calls for raising the level of the patio area, drawing visitors further away from their interaction with nature. 

Our C of A Committtee strongly urged the LPC to deny the application.  Click here to read our testimony, and let us know what you think!  Our colleagues at the Historic Districts Council also presented testimony on this project (their statement available via their website)
.  The public review was also reported on by NY Eater.com.