Protesters in front of Pennsylvania Station on Aug. 2, 1962. Photo: Eddie Hausner/The New York Times |
The architects Peter Samton and Diana Goldstein can tell you exactly where they were a half century ago, at 5 p.m. on Aug. 2, 1962: out on Seventh Avenue, tilting at windmills.
Pennsylvania
Station, the McKim, Mead & White masterpiece, was doomed. They
knew it. But they weren’t going to let it go down undefended. With Norval White,
Jordan Gruzen, Elliott Willensky and others, they assembled an
impromptu resistance brigade known as Agbany, for Action Group for Better Architecture in New York.
On that 86-degree summer evening
50 years ago, commuters were greeted by the sight of more than 100
buttoned-down and white-gloved protesters marching around the colossal
colonnade at the station’s entrance.
“Save Penn Station,” their signs said, in nicely formed letters. (Architects. Of course.) “Don’t Sell Our City Short.” “Save Our Heritage.” “Action Not Apathy.”
Philip
Johnson was impeccably present, in the company of the peerless
Elizabeth Bliss Parkinson, a trustee of the Museum of Modern Art, who
would soon be its president. There was Aline B. Saarinen, the widow of
Eero Saarinen, who had been until 1959 an associate art critic at The
New York Times. Agbany counted Eleanor Roosevelt, Stewart Alsop, Jane
Jacobs and Norman Mailer among its supporters, along with many of the
most respected names in architecture and architectural criticism ...
For the full article by David Dunlap, click here.
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The firm of McKim, Mead & White is also responsible for another monumental New York edifice: the IRT Powerhouse. But like Penn Station before, the building's lack of protection as an Individual Landmark means it is constantly at risk of inappropriate modifications and, worse still, demolition. Learn more at the Save the Powerhouse blog.
--------------------------------------------------------
The firm of McKim, Mead & White is also responsible for another monumental New York edifice: the IRT Powerhouse. But like Penn Station before, the building's lack of protection as an Individual Landmark means it is constantly at risk of inappropriate modifications and, worse still, demolition. Learn more at the Save the Powerhouse blog.
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